酒徒辞典The Drinking Dictionary

封面以黑底承托青、绿、橙和洋红色线条：竖向折线勾出不同瓶形，横线又穿过瓶身，连接左右画面。右侧书名下的细横线、底部并列的杯形，以及边缘竖排的描边英文，延续了“以线组织画面”的方式。大面积黑色留白让彩色轮廓与浅色书名形成清楚的视觉层级。这种解读来自画面的线条关系，不代表对印刷工艺或作者调研过程的判断。

Cyan, green, orange and magenta lines sit on a black ground. Vertical turns outline different bottles, while horizontal lines cross their bodies and connect the composition. A fine rule below the title, three glass outlines and large outlined lettering along the right edge extend the same linear language. The black space separates the coloured contours from the pale title. This reading concerns the visible composition, not its printing process or the designer’s research.

这个烈酒跨页将圆形产品照片与金黄色圆角名称标签成组排列，画面中央放置黑色蒸馏器图示。金黄色虚线箭头在图组之间转折，顶部色带与同色标签把分散的元素联系起来。较大的左上标题先说明主题，小段文字补充解释，读者随后可以沿照片、名称和图示查看内容。这里可核实的是重复形状、颜色和大小建立的信息层级，不是读者理解效率的实测结论。

This spirits spread pairs circular product photographs with rounded gold name labels around a black still illustration. Dashed gold arrows turn between the groups; the top band and matching labels connect otherwise separate elements. A larger heading introduces the topic, with short text blocks supplying context before readers explore the photographs, names and diagram. The visible evidence is a hierarchy built from repeated shapes, colours and scale, not a measured improvement in comprehension.

“酒与艺术——文明的火种”以白字落在左侧黑色区域，一道白色横带将它与右侧浅色阅读区连接。右侧依次安排文章标题、较短的正文段落，以及月亮和水墨人物图像；文字与图像之间保留了明显空白。与前面的酒类图解相比，这一跨页减少了密集的分类标签，用明暗分区与留白提示内容转向。章节题、文章题与正文的大小差异，也让读者能区分两层标题和具体叙述。

The chapter heading appears in white on a black area at the left, linked by a white horizontal band to the pale reading area. On the right, an article heading and short paragraphs sit alongside a moon and an ink-style figure, with visible space between text and image. Compared with the earlier drinks diagram, fewer classification labels and a stronger light–dark division signal a change of subject. Differences in type size distinguish the chapter heading, article heading and body text.